Animation Award / Best Animation Short Film

Jury Preis 750 Euro

Sponsored by:
Prof. Dr. Johannes Schmidt - Lakumed Kliniken

The prize for best animated short film will be awarded in all categories of the festival. It's a jury award. The Animation Award is announced internationally. In the competition for the best animated film are 31 short films from 18 countries.

Winner

Selfies von Claudius Gentinetta

Jury statement:

Claudius Gentinetta and his team create with the simplest means a film that outlines in 4 minutes one of the great phenomena of our time: the selfie addiction. What can be interesting in painted selfie photos and selfie videos, can be seen quickly: it is in this film is a skilful persiflage on compulsive self-expression; the pictures gallop with us across different strata of society and continents, through private and public space, from documentation to self-exposure, from the familiar to the crazy excesses of our digital dependency. A father is filming in the delivery room while his child is born in the background, and the newborn also has his own selfie stick in his hand.
The digital dependence is a fixed part of our time, instrument of the consumer world, and has long influenced our feelings and experiences. But the phenomenon of navel-gazing, the compulsion to hold onto everything, to assure oneself of oneself and to anchor one's own experience in the virtual space - could not that be a temporary trend that we can laugh about at some point like this movie? Hopefully.
The film does not shy away from absurd turns and is so full of fantasy that the first time you can not catch all the details, not every joke. At the latest at the last picture the laughter gets stuck in the throat, the last selfie we cannot do: our own feet, lying in the morgue, the note on the big toe. Yolo.

Anna Edelmann

Anna Edelmann was born in Munich in 1984. Her love of film developed even before she started school: the “Kinderkino” in the Forum2 cultural center in Munich's Olympic Village offered a compelling film selection that was by no means limited to typical children's films. The founders of the Kinderkino association, Hans und Christel Strobel, knew how to spark the children's interest in film by making them part of the team: She helped at the box office, as an usher, announced the films and analysed the results of the audience vote. She later wrote her first articles for the biannual children's film newspaper.
After finishing school she began to work as a freelance film critic. In 2009 she joined the team of the Artechock film magazine, where she teamed up with Thomas Willmann in 2012 to write articles and reviews under the title “Edelmann und Willmann sind sich einig”.
She gained practical experience in film production as an extra in student films and commercials. She also worked in the costume departement of Andreas Prochaska's film "The Dark Valley".

©Teresa Marenzi 2019

Anne von Keller

Anne von Keller draws her unique power and presence from detours. Deviations, where details and particulars are known to emerge in ways never to be found on a straight path. That’s how theatre studies led her to acting and an electric bass, given as a present, to music. And it is via these detours, that von Keller portrays characters with a rich inner-life, by skillfully revealing only one particle at a time out of respect for the complexities of her characters in films such as Julia C. Kaiser’s brilliant “Amoklove” and the dystopian sci-fi drama “Endzeit.”
In the meanwhile, she can look back on a considerable number of short and feature length films and is at home in art-house productions as well as along side Maria Furtwängler in “Das Wetter in geschlossenen Räumen” and Lucy Beech’s docu-fiction “Reproductive Exile”. She has released four albums with her indie-folk duo Sorry Gilberto and was an integral part of the soundtrack for the award winning comedy “Die Hannas.”

Selected filmographie

  • 2018 Reproductive Exile (Lucy Beech)
  • 2016 Flecken auf Weiß (Laura Schwickerath)
  • 2015 Die Hannas (Julia C. Kaiser)
  • 2014 Das Wetter in geschlossenen Räumen (Isabelle Stever)
  • 2013 Der Andi ist wieder da (Friederike Jehn)
  • 2012 Endzeit (Sebastian Fritzsch)
  • 2008 Amoklove (Julia C. Kaiser)

Dr. Sofia Glasl

PhD Sofia Glasl is a freelance journalist, author and curator based in Munich. She spent most of her youth in Munich’s Atlantis movie theater and her favourite video shop, working through the independent- and B-movie sections and learning who Steve Buscemi is. She studied literature and theater in Munich, loves to connect popcultural and classic discourses and, not only but also because of this, wrote her PhD thesis on Jim Jarmusch’s films. She is a regular critic on film, literature and theatre for news outlets such as Süddeutsche Zeitung, Filmdienst and Münchner Feuilleton and has written podcast episodes on film for Bayerischer Rundfunk. From 2015-2019 she was a curator for Filmfest München focusing on the English-speaking territories, Scandinavia and international series productions. Further, she organized specials and retrospectives in her field of program and led panel discussions with filmmakers such as Jennifer Fox, Sophie Hyde, Mads Brügger and Terry Gilliam. Apart from her journalistic work, she has since been developing projects for film and series festivals and offers editorial services for their catalogues and websites.